Blue Is the Warmest Color (2013) – Adèle’s life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself, finds herself. Blue Is the Warmest Color (2013) A.K.A La Vie d’Adèle – Chapitres 1 et 2 (2013)
Siap-siap buat nonton film drama kece satu ini! 🎬
La Vie d’Adèle – Chapitres 1 et 2 (2013) , garapan Antoine Fromental, Frédéric Alexandre, hadir dengan durasi 180 menit. Diproduksi di Belgium, France, Spain dan siap rilis pada 9 Oct 2013.
Film ini punya genre Drama, Romance, dengan budget $ 4.300.000,00 dan berhasil meraih pendapatan hingga $ 19.465.835,00! 🔥
Deretan bintangnya ada Adèle Exarchopoulos, Alain Duclos, Alika Del Sol, Alma Jodorowsky, Anne Loiret, Antoinette Sarrazin, Audrey Deswarte, Aurelie Lemanceau, Aurélien Recoing, Baya Rehaz, Benjamin Siksou, Benoît Pilot, Bouraouïa Marzouk, Camille Ayoras, Camille Rutherford, Catherine Gilleron, Catherine Salée, Chloé Malih, Elizabeth Craig, Éric Paul, Fanny Maurin, Flavie De Murat, Frédéric Wolsztyniak, Halima Slimani, Hichem Ben Nasr, Ilyès Qada, Janine Pillot, Jean Luc D'Isserno, Jérémie Laheurte, Julien Bucci, Justine Nissart, Karim Saidi, Klaim Nivaux, Léa Berkat, Léa Seydoux, Leila D'Issernio, Lucie Bibal, Maelys Cabezon, Manon Piette, Manou Poret, Marc Schaegis, Marilyne Chanaud, Maud Wyler, Mejdi Ben Nasr, Michael Skal, Mona Walravens, Nicolas Bourgasser, Olivier Verseau, Oscar Pinelli, Peter Assogbavi, Philippe Potier, Quentin Médrinal, Radhouane El Meddeb, Salim Kéchiouche, Samir Bella, Sandor Funtek, Sandrine Paraire, Selim Boukerfat, Stéphane Mercoyrol, Tom Hurier, Utrillo, Viktor Poisson, Vincent Gaeta, Virginie Morgny, Wisdom Ayanou dan masih banyak lagi.
Buat kamu yang udah nggak sabar, langsung aja streaming gratis di GudangMovies21 — tempat nonton film online terbaru dan terlengkap! 🚀
Review Pengguna
kineticandroid (June 21, 2014)
Apart from the NC-17 sex scenes, the buzz of this film made me think it was going to be about the two people on the poster. But from the first frame, it's really just about one — Adele. So much film is spent focused on her face that it's easy to lose contact with other characters and the world around her. But in doing so, I felt very drawn into her thought process, which made the story of her romance to Emma that much more powerful, despite the language barrier and the relationship's keen specificities. Being so drawn in proved very helpful during the breakup scene. On it's own, you see a woman scorned and the sad stupidity of her unfaithful lover fighting a lost cause. But because we know so much about that unfaithful lover, I felt worse, because I know what led her to this place and was sad she couldn't articulate it in the moment. It added to what I think is the film's major achievement -- showing how an ecstatic love like Emma's and Adele's can end up feeling so isolating.
tmdb47633491 (April 7, 2018)
I became obsessed with Adele Exarchopoulos after seeing this. Didn't even have to look up that spelling. I ordered a custom-made 32" x 48" ish sized poster of her for my apartment that's still around somewhere. I'm pretty sure I tried to find her on snapchat. Thanks for reading.
CinemaSerf (August 24, 2024)
"Adèle" (Adèle Exarchopoulos) is a bit of a fish out of water at school. She doesn't quite fit in and finds the whole "boy" thing a bit of a turn off. Luckily the school also has it's extrovert in the blue-haired "Emma" (Léa Seydoux). She is shunned by her classmates because of the perception that she is just too eccentric for the normal kids, but "Adèle" finds her fascinating. Striking up a friendship, she soon discovers that there is more to be had from this alliance: something that comes with plusses and minuses and introduces her to the extremes of joy and pain. It's an obsession, an infatuation - an addiction, even, for "Adèle" but does "Emma" reciprocate. Is she looking for the same things from their relationship? Now, I'd have to say that there is no need for this story to take three hours to tell. At times it's a bit soapy, repetitive and moves as glacially as our own real-life experiences might have done - and who wants to relive them in real-time? That said, director Abdellatif Kechiche takes his time to carefully craft the characterisations of the women and of their families and the boys who are on the periphery of the girl's maturing personalities. There emerges an effective and engaging dynamic between the pair as the path of their true love most certainly doesn't run smoothly, and with some pithy dialogue and just a little raunchiness now and again, this is a better than average story of the challenges of an awakening spirit conflicted, hormonal and confused. It's worth a watch, but it can be a bit of a slog at times.