Kimi (2022) – A tech worker with agoraphobia discovers recorded evidence of a violent crime but is met with resistance when she tries to report it. Seeking justice, she must do the thing she fears the most: leave her apartment. Kimi (2022)
Siap-siap buat nonton film drama kece satu ini! 🎬
Kimi (2022) , garapan Jody Spilkoman, hadir dengan durasi 89 menit. Diproduksi di USA dan siap rilis pada 10 Feb 2022.
Film ini punya genre Crime, Mystery, Thriller, dengan budget $ 3.500.000,00 dan berhasil meraih pendapatan hingga -! 🔥
Deretan bintangnya ada Alex Dobrenko, Alina Gatti, Alyana Gomez, Andrew Daymer, Andy Daly, Aviona Rodriguez Brown, Beka Sikharulidze, Betsy Brantley, Brenna Wagner, Brian Flores, Byron Bowers, Caleb Emery, Charles Halford, Cheyenne Nguyen, Conner Marx, David Wain, Derek DelGaudio, Devin Ratray, Emily Kuroda, Erica Matthews, Erika Christensen, Finnegan George, George Evans, Henrich Evans, India de Beaufort, Jacob Vargas, Jaime Camil, Jamie Baer, Koya Harada, Lakin Valdez, Lauryn Scoon, Luca De Massis, Megan Gotz, Noelle E Parker, Patrika Darbo, Raymond Power, Rita Wilson, Robin Givens, Sarai Koo, Sebastian Evans, Sheila Evans, Zoë Kravitz dan masih banyak lagi.
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Review Pengguna
Manuel São Bento (March 30, 2022)
MORE REVIEWS @ https://www.msbreviews.com/ "KIMI contains the narrative potential and impactful cinematography that movies by Steven Soderbergh (No Sudden Move) always have, but not even a superb performance from Zoë Kravitz (The Batman) can hide some issues with the developed themes. Technologically, the proximity of this world to ours is frighteningly realistic, but the attempts to tackle agoraphobia and invasion of privacy aren't all successful. The protagonist's arc focuses on her ability to overcome past trauma, something that is mostly well-done. However, the abrupt conclusion of the whole story not only lessens and simplifies PTSD but raises numerous plot-related logical questions, in addition to a moral one concerning stalking. It will likely create some division within the general audience." Rating: C
Robbie Grawey (September 12, 2022)
NEW SODERBERGH! NEW SODERBERGH! It’s three in the morning, but I’m gonna try and put down some coherent thoughts. This is exactly what I expected from a Soderberg thriller, and I mean that in the best way possible. I love his work and this is no exception. The technical filmmaking elements here are great: camerawork, editing, and its general sense of scene-to-scene rhythm. Feels methodical and elegant while still being fun and watchable. There are quite a few sequences that will stick with me for a while. Like how personal the stakes are in this and how well Zoë Kravitz handles her role. Reminded me a lot of Aneesh Chaganty’s Run in the way it frames and establishes its story. The biggest problems for me: It loses some of its rhythm around the middle and doesn’t feel as fleshed out as it could have been. Given how much I love David Koepp’s other works, I was a bit sad to see a lot of my qualms falling to the story writing/structuring. Few problems aside, I had a great time! Guess I’ll have to check out No Sudden Move now 👀 Side note: Watched this down in my room which means my HomePod Mini was looming right below my screen the whole time. Considering that the 4D experience.
Robbie Grawey (September 12, 2022)
Hadn’t stopped thinking about this since I first watched it, so I finally revisited it! Loved it even more this time around. The score and cinematography still might be my favorite aspects of this, it curates a thrilling and functional style. The direction and performances stood out to me a little more on this viewing to, sublime stuff. Hitchcock-influenced Soderbergh is too powerful.
