TÁR (2022) – As celebrated conductor Lydia Tár starts rehearsals for a career-defining symphony, the consequences of her past choices begin to echo in the present. TÁR (2022)
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TÁR (2022) , garapan Todd Field, hadir dengan durasi 158 menit. Diproduksi di USA dan siap rilis pada 23 Sep 2022.
Film ini punya genre Drama, Music, dengan budget $ 35.000.000,00 dan berhasil meraih pendapatan hingga $ 29.048.571,00! 🔥
Deretan bintangnya ada Adam Gopnik, Adela-Maria Bratu, Agne Gecaite, Aldrin Poblete, Alec Baldwin, Alexander Bergert, Alexander Lewis, Alexander Teichmann, Alexander Will, Alexandra Montag, Alexey Bröse, Allan Corduner, Alma Löhr, Alma Triller, Amelie Kummell, Amelie Stein, An Cerne, André Röhner, André Schiefferdecker, Andrea Dittrich, Andreas Jentzsch, Andreas Kuhlmann, Anna Dobbelstein, Anna-Lea Marquigny, Annegret Teichmann, Annekathrin Rammelt, Anselm Bruchholz, Antje Becker, Anton Niklas Weiche, Antonia Seidel, Arthur Gannaban, Artima Sookaew, Artjom Gilz, Atikarn Niaksen, Beate Müller, Benedict Brouwer, Benjamapa Pattatham, Bhakasak Jaowanariohi, Björn Kadenbach, Bruno Alves Borralhinho, Burkhard Nitsch, Carla Mathilde Ehrhardt, Carsten Gießmann, Caspar Hoba, Cate Blanchett, Chaiwattana Sangtrong, Chalee Sricharoen, Chanakan Lertsapanan, Charapinyo Shuthamavong, Chatchaya Suwanphithak, Chayanit Siriroj, Chayuth Kaivikai, Christian Höcherl, Christiane Liskowsky, Christina Biwank, Christoph Tomanek, Christopher Lindner, Claudia Rose, Clemens Fischer, Clemens Raphael Holter, Constanze Sandmann, Damian Bahrke, Daniel Söhner, Daniel Thiele, Darius Thilo Schmelzer, David Esteban Coral Patino, David Pollini, Diana Birenytė, Dietrich Schlät, Dittmar Trebeljahr, Donatus Bergemann, Dorit Schwarz, Dorothea Plans Casal, Ed White, Egon Brandstetter, Eitthibron Khamkaen, Elias Falk, Emanuel Kruopis, Erasmus Koch, Eva Brockhaus, Eva Dollfuß, Fabian Dirr, Fasai Buranasiri, Felix Amrhein, Finn Weigelt, Frank Röth, Friedrich Kettschau, Froilan Japano, Gregor Pollini, Han Lai, Hanna-Maria Bormuth, Hannah Palinske, Hanno Felthaus, Harald Hufnagel, Heiko Mürbe, Hobin Yi, Hyelin Yun, Ian Gallego, Ilie Cozmatchi, Irena Dietze, Isabel Kern, Ittikorn Tuchmalee, Jan Wolf, Janjao Nipehaya, Janjira Mongskolsakuukit, Jasmin Marie Tittmann, Jasmine Leung, Jens Prasse, Jeremias Preisler, Jessica Hansen, Jevimary de Guia, Joachim Franke, Joanna Szumiel, Johann von Bülow, Johanne Murdock, Johannes Groth, Johannes Pfeiffer, Jonathan Debus, Jonathan Rebstock, Jörg Wachsmuth, Jörn Hettfleisch, Josefine Stoll, Josias Preisler, Joy Villanueva, Julia Isabella Waimann, Julian Glover, Juliana Catriona Laenger, Juliane Kettschau, Justus Czarnikow, Kaela Solene Spranger, Karin Hofmann, Kathrin Baz, Kenneth Won, Kitty Watson, Klaus Jopp, Komkrit Suriya, Krittaboon Doktoey, Léa Villeneuve, Lee Sellars, Lennard Noah Voigt, Leonard Bernstein, Leonard Stanoschefsky, Leonie Theresa Eschenburg, Levin Petersen, Lewin August Krella, Lisa Hoba, Lisabet Seibold, Lucie Pohl, Lucien Verheylewegen, Lucilla Rudolph, Ludwig Huhn, Lukas Stiasny, Lydia Schamschula, Marc-Martin Straub, Marcel Borggrefe, Marcus Gottwald, Marie-Anne Fliegel, Marie-Lou Sellem, Mario Hendel, Mark Strong, Markus Gundermann, Martha Pesel, Matan Gilitchensky, Miguel Blanco Puente, Mila Bogojevic, Murali Perumal, Napasanin Soisuwan, Nathalie Lewis, Nathan Giem, Nattaphon Kosalpraphai, Nicolas Hopchet, Nikolaj Trivukas, Nina Hoss, Nina Walter, Nitcha Panimjan, Nithit Rujikajorindiej, Noémie Merlant, Nora Koch, Normann Höhne, Nut Wuththepelincha, Nuttanon Googietgarn, Olaf Kindel, Olena Guliei, Oliver Mills, Pachara Tooparoh, Panitaporn Jarutaweesin, Parami Mingmitpatanakun, Patchara Amarintarovat, Patchara Manoonphol, Patcharada Sornchaipaisal, Patitta Labchitkuson, Patnaree Chulasakcharoen, Pattarawadee Thiwwatpakorn, Patuviwan Piensub, Paula Först, Paula Harders, Paula Heineck, Paula Sophie Prudlo, Paula Su Odenthal, Pawarest Martsima, Peter Conrad, Peter Hering, Petra Willmann, Phanliphong Chanthosri, Philipp Könen-Dose, Phongphairoj Lertsudwichai, Phumraphi Wong-Anusorn, Pimchanok Ketmee, Pisit Sanitiphan, Piya Phoomala, Pluempiti Chotikulo, Poon Booranamaitree, Pornnutcha Sonthimettaporn, Prapruttam Khumchat, Punn Booranamaitree, Qu Yunrui, Rachata Thiwwatpakorn, Rahel Weiler, Rainer Promnitz, Raphael Bauer, Ravich Rachatasompope, Razvan Popescu, Richard Prokein, Rittiporn Hirunpattarra-Aniun, Robert-Christian Schuster, Rose Knox-Peebles, Rucheng Fan, Salome Manyak, Sam Douglas, Sarah Bauerett, Sarah Ennouhi, Sarah Martin, Sarunchana Senchai, Sawako Kosuge, Signe Dietze, Sijia Liu, Sinprapha Chanthalok, Siryakorn Komuttanon, Siwat Sopacharoen, Sofija Radic, Somiko Singha-Sila, Songha Choi, Sonja Hentrich, Sonsoles Jouve del Castillo, Sophia Nagl, Sophie Kauer, Sopida Pranitipong, Soranont Hommonthia, Sorawith Sorinchaipaisal, Stefan Kittlaus, Stefan Langbein, Steffen Gaitzsch, Sudlert Lertsudwichai, Suksan Phosriya, Supachan Rattanaratree, Suppatat Chotiyaputta, Suradech Ek-Imphol, Susanne Herberg, Sven Rothe, Sydney Lemmon, Sylvia Flote, Tabea Günther, Takkamol Duongsawat, Tamaki Steinert, Tanutt Tanavoravongsa, Tatiana Dvortsova, Tatjana Reuter, Teresa Novák, Teresa Philomena Schild, Thammaporn Saratan, Thananan Rochankit, Thanatdiaporn Raksakul, Thanpiapon Prinyakul, Thara Tengrumphung, Theresia Hänsche, Thilo Ermold, Tilla Kratochwil, Tilman Baubkus, Tim Thrin, Tobias Glöckler, Torsten Gottschalk, Ulf Prelle, Una Weske, Ute Kelemen, Varat Kokamicate, Vikran Arayaprayoon, Vincent Riotta, Vivian Full, Vorapirach Wongsathapornpat, Warubon Chongtrong, Wazin Chaiprasert, Wenteng Chang, Wolfgang Hentrich, Xenia Assenza, Xianbo Wen, Ylva Pollak, Yoshio Khunwathanaphakdee, Yotwadee Sangtrong, Yvonne Jacqueline Waimann, Zethphan Smith-Gneist dan masih banyak lagi.
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Review Pengguna
CinemaSerf (January 23, 2023)
Cate Blanchett is superb as the eponymous, ruthlessly focussed and highly accomplished, maestra who lives with her violinist wife "Sharon" (Nina Hoss) and young daughter "Petra" (Mila Bogojivic). Acclaimed by her peers, she is now the principal conductor of the Berlin Philharmonic. A job not without it's complications - she must select music, inspire musicians, and deal with her less then competent assistant "Sebastian" (Allan Corduner) who was a favourite of the previous occupant of her job "Davis" (Julian Glover) whilst juggling the ambitions of her funding partner "Kaplan" (Mark Strong). This spinning plates operation means she is constantly making compromises and that impacts on all of those around her. Frequently, she must rely on her assistant "Francesca" (Noémie Merlant) and it's around this relationship that we see some cracks start to appear in the otherwise formidable armour of "Tár". One of her erstwhile musicians has taken her own life - and subsequently the rumour mill starts to suggest that maybe, just maybe, there could have been an element of the good old casting couch mentality going on. No smoke without fire or totally made up? Well the last half of the film unfolds as the allegations gather pace and, well... I wasn't exactly enamoured of development of the story. It reminded me a little of that surrounding acclaimed British choreographer Liam Scarlett - and with that in mind I found the theme a little undercooked. It does illustrate well the Humty Dumpty effect of gossip, though. Do we believe she is guilty of abusing her position and of manipulation? Or is she a powerless victim of someone else's failure? I had nowhere near enough evidence to draw any meaningful conclusion - and I didn't like that. The ending is rather powerful, though - a vindication or a terrible wronging? You must decide... Blanchett is, regardless of that, at the top of her game and there is some spectacular orchestral music to enjoy here, too.
Nathan (February 17, 2023)
I wanted to like TÁR, but I just found it boring. Way too long and drawn out. I thought the story was decent with fantastic performances but it just did not work for me. I can appreciate it as a masterpiece in film making, even though I considered it a pretty poor watch. Score: 60% | Verdict: Decent
AstroNoud (March 12, 2023)
The downfall of a great conductor (conductress??) could have been an interesting topic. But ‘TÁR’ is 2h38mins of leaving out major plot points and instead showing details in dreadful scenes that often don’t lead anywhere. The viewer has to make all this up for themselves, such as whether Tár is victim or culprit. In a way, this is all quite well done. Unfortunately, the film is too boring and incomprehensible to care. This being a film about conducting, I found Blanchett’s conducting style ridiculous, though she was good otherwise. At least the Mahler 5 excerpts sounded wonderful, and so let’s just conclude with that number as my rating. 5/10
