Nonton Film: 255 hits 1999 Sub Indo

Stolen Kisses (1968)

Overview: The third in a series of films featuring François Truffaut's alter-ego Antoine Doinel the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard which he promptly loses. Stumbling into a position assisting a private detective Antoine falls for his employers' seductive wife Fabienne and finds that he must choose between the older woman and Christine.

Genres: Comedy, Drama, Romance

Director: François Truffaut

Cast: Jean-Pierre Léaud, Claude Jade, Delphine Seyrig, Michael Lonsdale, Daniel Ceccaldi

Original Language: FR

Original Title: Baisers volés

Budget: $350,000

Revenue: $1,500,000

MPAA Rating: PG

Keywords: hotel, hotel room, adultery, individual, secret love, army, lovesickness, paris, france, parent child relationship, students' movement, balzac, shyness, montmartre, detective, job-hopping, night watchman, repair, brothel, amateur detective, extramarital affair, eiffel tower, paris, may 68

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Reviews

CinemaSerf (August 11, 2024)

At times Jean-Pierre Léaud's "Doinel" character reminded me a little of Charlie Chaplin's "Tramp" as he works his way through this engaging comedy about the lives and loves of a man whom, having just left the army, must adjust to civilian life. Initially, he lucks out as his girlfriend "Christine" (Claude Jade) manages to get her dad (Daniel Ceccaldi) to get him a job. Now a security guard he certainly isn't, so his tenure is short lived but it does introduce him to the intriguing world of the private detective. This leads to a job keeping an eye on the ostensibly upstanding businessman "Georges" (Michael Lonsdale) which in turn sees him meet that man's wife "Fabienne" (Delphine Seyrig) with whom, yep you've guessed... Why would this beautiful and charming woman be married to a shoe salesman? Well as the young man digs deeper, we discover - via a series of increasingly daft scenarios, that "Doinel" is pretty inept at just about everything but that has a charm to it that might just prove surprisingly successful in the least likely of fashions. Léaud is on good form here presenting an amiable buffoon that it's quite easy to like. There's also some enjoyable chemistry between him and both Seyrig and Jade that at times can make you cringe with embarrassment as he struggles to get to grips with his relationships with women. The comedy is plentiful and it's actually quite provocative for the late 1960s. It's a story about sexual awakenings and that elusive sense of self-realisation that I found flew by for a ninety minutes that still works entertainingly now.