Nonton Film: 519010 pain and glory 2019 Sub Indo
Pain and Glory (2019)
Overview: Salvador Mallo a filmmaker in the twilight of his career remembers his life: his mother his lovers the actors he worked with. The sixties in a small village in Valencia the eighties in Madrid the present when he feels an immeasurable emptiness facing his mortality the incapability of continuing filming the impossibility of separating creation from his own life. The need of narrating his past can be his salvation.
Director: Pedro Almodóvar
Cast: Antonio Banderas, Asier Etxeandia, Leonardo Sbaraglia, Nora Navas, Julieta Serrano
Original Language: ES
Original Title: Dolor y gloria
Budget: $10,769,016
Revenue: $37,359,689
MPAA Rating: PG
Keywords: drug abuse, madrid, spain, cinema on cinema, movie business, creative crisis, sexual awakening, valencia, spain, chronic pain, film director, mother son relationship, theatrical production, gay theme, gay artist, earnest
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SWITCH. (August 16, 2019)
If you were to tell me that ‘Pain and Glory’ was Pedro Almodóvar’s final film, I would be inclined to believe you. Rarely has the act of looking back on one's past been so vividly and honestly depicted, and so richly and emotionally satisfying. You can feel the need for this film to exist in every frame, a need to understand and reflect and celebrate and mourn. It is a portrait of an artist at a crossroads, entering the last act of their lives, looking back at what they have created and the battlefield left in their wake, and facing the terror of never creating again. ‘Pain and Glory’ is an intensely beautiful film, one that hangs in the air around you like a perfume for days after. The more I think back on it, the more certain I am that I’ve seen a masterwork. I cannot wait to see it again. - Daniel Lammin Read Daniel's full article... https://www.maketheswitch.com.au/article/review-pain-and-glory-almodovar-delivers-a-rhapsodic-masterwork
CinemaSerf (April 15, 2024)
This is a wonderful notional career retrospective of filmmaker "Salvador Mallo" (Antonio Banderas) who has a reached an age where he struggles with painkillers and mobility issues - and so embarks on a bit of nostalgia reliving his life. This will one day be described as a classic. Almodóvar at his most pure, grafting the fiction to the fact in such a beautifully crafted way that it is almost impossible to know how you feel whilst you watch it. Banderas is wonderful. He delivers the emotion and the humour - and there is enough of the latter to adequately temper the more emotional aspects of his performance - with consummate skill. Penélope Cruz who always seems more stunning every time she appears on screen plays his mother and even sings - what more could you ask for? In theory, there ought be little joy in this retrospective, but the self-discovery delivers a surprising amount of fulfilment and there is humour to be found here, too.
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