Nonton Film: 108266 the lone ranger 1956 Sub Indo

The Lone Ranger (1956)

Overview: The territorial governor asks the Lone Ranger to investigate mysterious raids on settlers by Indians who ride with saddles. Wealthy rancher Reese Kilgore wants to mine silver on Spirit Mountain which is sacred to the Indians.

Genres: Adventure, Western

Director: Stuart Heisler

Cast: Clayton Moore, Jay Silverheels, Lyle Bettger, Bonita Granville, Perry Lopez

Original Language: EN

Original Title: The Lone Ranger

Budget: N/A

Revenue: N/A

MPAA Rating: PG

Keywords: marshal, dynamite, murder, native american reservation, lone ranger, abilene, kansas

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Reviews

John Chard (November 9, 2019)

Mature picture moves away from serial silliness. The Lone Ranger is directed by Stuart Heisler and written by Herb Meadow and George W. Trendle. It stars Clayton Moore, Jay Silverheels, Lyle Bettger, Bonita Granville, Perry Lopez, Robert J. Wilke and John Pickard. Music is by David Buttolph and cinematography by Edwin B. DuPar. Wealthy rancher Reese Kilgore (Bettger) aims to grab silver-rich Indian land by skilfully pitting Indians against settlers, but the suspicious territorial governor sends The Lone Ranger (Moore) to investigate. I think most of us Western fans of a certain age remember fondly The Lone Ranger TV series, and with that we obviously remember it as being child friendly. So it's reasonable to expect this filmic version as being more of the same? Yet although it is of course safe for the kiddies to enjoy, it's very mature in narrative terms. It's not an origin movie, though the screenplay allows space for us to get the birth of the masked man as it were. Naturally we are in the realm of the good versus the bad, but as we deal with bile strewn racial prejudices, we also get the flip side in the form of the strong friendship between Lone Ranger and Tonto (Silverheels). Pic is crammed full of lush locations, fast paced action, plenty of fights - both with fists and weaponry - stock genre characters, and two of the coolest horses in genre lore. All that and the signature William Tell Overture music that brings simultaneously a smile to the face and a tingle to the youthful spine in all of us. Hooray! 7/10