Nonton Film: 995746 rosalie 2024 Sub Indo

Rosalie (2024)

Overview: France 1870s. Rosalie is a young woman unlike any other. She hides a secret: she was born with a face and body covered in hair. She’s concealed her peculiarity all her life to stay safe shaving to fit in. Until Abel an indebted bar owner unaware of her secret marries Rosalie for her dowry. Will Abel be able to love Rosalie and see her as the woman she is once he finds out the truth?

Genres: Drama, Romance

Director: Stéphanie Di Giusto

Cast: Nadia Tereszkiewicz, Benoît Magimel, Benjamin Biolay, Guillaume Gouix, Gustave Kervern

Original Language: FR

Original Title: Rosalie

Budget: $7,000,000

Revenue: $308,326

MPAA Rating: PG

Keywords: based on true story, historical drama, 19th century, bearded lady

▶️ Watch Now

Reviews

CinemaSerf (June 8, 2024)

There's something quite unnerving about this film. It all starts when the young "Rosalie" (Nadia Tereszkiewicz) is essentially dowered out to bar owner "Abel" (Benoît Magimel) so her father can be rid of her and so that her new husband can be rid of his debts. "Abel" is actually quite a decent man, recently returned from the wars, but he is ill-equipped for what he discovers on his wedding night. She suffers from the rare condition of hirsutism and he is repulsed by it. Her dowry didn't quite settle his bills with landlord "Barcelin" (Benjamin Biolay) and with his future on the line, she decides that it's time to go on the front foot and display her beardedness. Initially sceptical, it appears that the community are less intimidated by her than "Abel" had feared, indeed there seems to be an attraction developing between her and "Barcelin". The main drawback she faces, though, is an inability to bear children - that which she wishes for most. His solution is that they adopt, and this is when true colours are displayed and the story takes a slightly more predicable turn - especially as she begins to fall prey to the exploiters who see her as little better than a circus act. It's a love story, one of despair and one that illustrates not just power of superstition but also the continuing role of women in a society that saw them as goods to barter. It looks authentic, and though could maybe do with a little tightening up - there are quite a few repetitious scenes that don't really add much, is well delivered by an on-form Tereskiewicz and from the understated but potent Magimel which coupled with an emotive score from classical and Hania Rani sources to augment it too, makes for an interesting drama that is well worth a watch.