Nonton Film: 611150 how silly are to grow up 2000 Sub Indo

How silly are to grow up (2000)

Overview: Marcos (Gustavo Garzon) an existentially bored university lecturer gets a grant to return to his birthplace to carry out biochemical research. There he meets old buddy Raul (Leo Masliah) who is now a priest. The story opens out to bring in their schooldays 20 years earlier during Argentina’s politically active ’70s when Raul was going out with Tamara (Victoria de Elizalde) who now lives in Paris with husband Paul (Ginger Poujoulet). The mature Tamara (Laura Melillo) returns to be with her sick mother and Marcos unwittingly stumbles across some high-level politico-economic corruption on the part of the lab’s owners led by Dr. Castembacher (Jean Pierre Reguerraz). In a piece in which perfs win out over plot Garzon is satisfyingly nuanced as the disillusioned Marcos. Technically pic’s restricted budget makes itself felt.

Genres: Drama

Director: Roly Santos

Cast: Gustavo Garzón, Laura Melillo, Leo Masliah, Jean Pierre Reguerraz, Damián Dreizik

Original Language: ES

Original Title: Que absurdo es haber crecido

Budget: $200,000

Revenue: N/A

MPAA Rating: PG

Keywords:

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Reviews

Charles (June 25, 2019)

Marcos (Gustavo Garzon), an existentially bored university lecturer, gets a grant to return to his birthplace to carry out biochemical research. There he meets old buddy Raul (Leo Masliah), who is now a priest. The story opens out to bring in their schooldays 20 years earlier, during Argentina’s politically active ’70s, when Raul was going out with Tamara (Victoria de Elizalde), who now lives in Paris with husband Paul (Ginger Poujoulet). The mature Tamara (Laura Melillo) returns to be with her sick mother, and Marcos unwittingly stumbles across some high-level politico-economic corruption on the part of the lab’s owners, led by Dr. Castembacher (Jean Pierre Reguerraz). In a piece in which perfs win out over plot, Garzon is satisfyingly nuanced as the disillusioned Marcos. Technically, pic’s restricted budget makes itself felt.An intelligently adult passing-of-time drama, with well-drawn characters and plenty of food for thought, Roly Santos’ feature debut, “How Silly We Are to Grow Up,” fuses an emotional-triangle tale to a less successful thriller subplot with predictably mixed results. Commercial prospects outside home territory are slim, but Santos is a talent to watch.(By JONATHAN HOLLAND for Variety)

Charles (June 25, 2019)

An intelligently adult passing-of-time drama, with well-drawn characters and plenty of food for thought, Roly Santos’ feature debut, “How Silly We Are to Grow Up,” fuses an emotional-triangle tale to a less successful thriller subplot with predictably mixed results. Commercial prospects outside home territory are slim, but Roly Santos is a talent to watch. Marcos (Gustavo Garzon), an existentially bored university lecturer, gets a grant to return to his birthplace to carry out biochemical research. There he meets old buddy Raul (Leo Masliah), who is now a priest. The story opens out to bring in their schooldays 20 years earlier, during Argentina’s politically active ’70s, when Raul was going out with Tamara (Victoria de Elizalde), who now lives in Paris with husband Paul (Ginger Poujoulet). The mature Tamara (Laura Melillo) returns to be with her sick mother, and Marcos unwittingly stumbles across some high-level politico-economic corruption on the part of the lab’s owners, led by Dr. Castembacher (Jean Pierre Reguerraz). In a piece in which perfs win out over plot, Garzon is satisfyingly nuanced as the disillusioned Marcos. Technically, pic’s restricted budget makes itself felt. (By Jonathan Holland for Variety Hollywood Reporter)